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Home Music

‘Sonnet 18’: A Song Inspired by Shakespeare’s Sonnet by Gunny Markefka

April 23, 2025
in Music, Poetry, William Shakespeare
A A
8
poems 'Sonnet 18': A Song Inspired by Shakespeare's Sonnet by Gunny Markefka

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https://classicalpoets.org/wp-content/uploads/2025/04/Sonnet-18.mp3

Sonnet 18

by William Shakespeare (1564-1616)

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm’d;
And every fair from fair sometime declines,
By chance, or nature’s changing course, untrimm’d;
But thy eternal summer shall not fade
Nor lose possession of that fair thou ow’st;
Nor shall Death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st;
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.

.

Guntbert “Gunny” Markefka is a singer-songwriter from Hannover, Germany. Since 2020 over 40 of his single releases have been released via the digital distribution label “GEMA Music-Hub.” His Great Poetry Songs can be heard here. He earned his Ph.D. at Hannover University, developed world patents in the area of Natural Language Understanding Technologies during his 20+ year career at T-Mobile / Deutsche Telekom, and served as an international director on the board of various telecom associations. Since 2020 he has been a member of the Society of Classical Poets.

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Comments 8

  1. Roy Eugene Peterson says:
    1 year ago

    This is a nicely done rendition as if from the past.

    Reply
    • Gunny Markefka says:
      1 year ago

      “A thing of beauty is a joy forever.”

      Reply
  2. Paul A. Freeman says:
    1 year ago

    Wow!

    Reply
    • Gunny Markefka says:
      1 year ago

      Thank you, Paul!

      Reply
  3. Margaret Coats says:
    1 year ago

    Well done in a close-to-contemporary style, Gunny, including repetitions of the last line for long fade out. I notice you also take a performer’s privilege of slight changes in the text, omitting “or” in line 8 and perhaps adding “though” in line 11, if that’s not a repetition of “thou.” Good to alternate between emphasis and relaxation. I once heard poet Robert Bly sing Sonnet 18 a cappella using a tune from about 1600, which he selected because it had long notes where long vowels occur in the poem. Different styles, both effective.

    Reply
    • Gunny Markefka says:
      1 year ago

      A fine analysis! Thank you.

      Reply
  4. Maria says:
    1 year ago

    Your singing brings this beautiful sonnet to life.
    Thank you.

    Reply
    • Gunny Markefka says:
      1 year ago

      Yes, I agree. Music can do this.

      Reply

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