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Home Poetry Beauty

‘All the Colors’: A Poem by M.W. Larcinese

December 7, 2025
in Beauty, Poetry
A A
17
"Rainbow" by Dubovskoy

"Rainbow" by Dubovskoy

 

All the Colors

With all the colors of the rainbow
glowing in their hue,
I find the one I love the most
is the shining ray of blue.
It’s the color of the open sky
on a clear and gentle day—
the same that shimmers through the waves
where sunlight warms the bay.

Of all the colors evening brings,
the one I love by far
is the white that softly flickers
in the first and quiet star.
It glows upon the branches
when daylight fades to trees—
the silver light of twilight
dancing on their leaves.

Of all the seasons in a year,
the one I love most of all
is the bronze and red of branches
when the summer turns to fall.
It is the rainbow’s missing shade,
the hue the heavens knew—
the color of the stars at night
when kissed with drops of dew.

 

 

M.W. Larcinese is a museologist and metalsmith from West Bloomfield, Michigan. 

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Comments 17

  1. Paul Freeman says:
    9 months ago

    An uplifting, Wordsworth-esque piece of poetry, MW.

    Thanks for the read.

    Reply
    • Matthew says:
      9 months ago

      Thank you, Paul — I truly appreciate the kind comparison and the time you took to comment.

      Reply
  2. Roy Eugene Peterson says:
    9 months ago

    Mattthew, beautiful rhyme and imagery.

    Reply
    • Matthew says:
      9 months ago

      hank you, Roy — I’m grateful you took the time to read, and I appreciate the generous comment.

      Reply
  3. David Larcinese says:
    9 months ago

    Beautiful description of nature’s palette and its application of colors. Well done.

    Reply
    • Matthew says:
      9 months ago

      Thank you! Your support and response are always truly appreciated.

      Reply
  4. Matthew says:
    9 months ago

    Thank you, Roy — your comment means a great deal. I’m grateful you took the time to read it.

    Reply
  5. Joseph S. Salemi says:
    9 months ago

    You have to decide — do you want your even-numbered lines indented, or not?

    The way you have it now, with random indentation, is pointlessly sloppy.

    Reply
    • Matthew says:
      9 months ago

      Thank you for reading and commenting — I appreciate the time.

      The formatting you see on the webpage isn’t the original layout I submitted; the poem was formatted as continuous left-aligned stanzas without the printed markers that appear online. I’m following up with the editors to see if that can be adjusted.

      Grateful you took the time to read it

      Reply
      • Mike Bryant says:
        9 months ago

        Matthew, I’ve reformatted the poem, thanks.

        Reply
        • Matthew says:
          9 months ago

          Thanks, Mike — much appreciated. It looks great now.

          Reply
  6. Margaret Coats says:
    9 months ago

    Matthew, your poem intrigues the reader by what it leaves unsaid. What is that missing shade at the warm end of the visible spectrum? An illusory bronze-red? Are you doubling colors, as with the sky blue and sea blue in the first stanza? They aren’t the same, but perhaps represent the blue and indigo in optical description. Even the white is also silver, suggesting more colors in nature and in human perception–and in poetry–than those normally named on a color wheel.

    Reply
    • Matthew says:
      9 months ago

      Margaret — thank you for such a thoughtful and nuanced reading. I appreciate the way you noticed the tonal shifts in the blues. For me, the colors weren’t meant to be strict categories, but lived sensations — atmospheric rather than literal. The warmer end of the spectrum simply never arrived as I wrote; I tend to dwell more naturally in cooler tones, both in memory and in mood.

      Your reflections were a pleasure to read — thank you for taking the time to share them.

      Reply
  7. Adam Sedia says:
    9 months ago

    A simple, yet delightful poem, reminiscent of Blake in its short, flowing meter and of Wordsworth in its highly personal and wonder-filled treatment of nature. The choice of red, white, and blue is also notable (I can’t help but believe that choice was intentional). This poem begs to be set to music.

    Reply
    • Matthew says:
      9 months ago

      Adam—thank you for your thoughtful reading and kind words. I’m honored by the comparisons you’ve drawn, and grateful the rhythm and simplicity carried through in the way you describe. The idea that it might lend itself to music is especially meaningful to me.

      Reply
  8. C.B. Anderson says:
    9 months ago

    What does a metalsmith have to say about music? Though I suppose there are few instruments that can be made entirely without metal, few actually are. Which brings us to color. As the author surely has noticed, the rainbow itself is a kind of octave scale. Whooda thunk it?

    Reply
  9. Matthew says:
    9 months ago

    Thanks, C.B. — terrific observation. As a metalsmith, I suppose I’ve always believed that color, music, and metal all hum on the same frequency. After all, where would heavy metal be without, well… metal?

    And the rainbow as an octave scale — yes, that’s exactly the kind of overlap that sparked this poem. I’m glad the resonance came through.

    Appreciate the thoughtful read and the smile it gave me.

    Reply

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